6 August,
1998 : Marietta native
Shuler Hensley is man of the moment in London theater. As Jud Fry, the
brooding, villainous hired hand of "Oklahoma!", the
30-year-old Westminster graduate has earned some of the biggest raves
from London critics for the Royal National Theatre production. He also
got to join the cast in singing "Happy Birthday" to the
98-year-old Queen Mother, Elizabeth, when she paid a backstage visit. Iris Hensley, his mom, is an arts professional herself - she directs
the Marietta-based Georgia Ballet Company - but when she watched her
son on opening night she reverted to the role of pure mom. "I
didn't like to see him lose the girl", Iris declared. "I
kept thinking, 'Why don't you love my son?' and 'Why does he need all
that dirt and stubble on his face?', which are typical mother
reactions!"

14
August, 1998 : London Debut : When Shuler Hensley was a
student at the University of Georgia in the mid-1980's, his old music
teacher at Westminster, Frank Boggs, sent him a cassette tape from
London of a song from a new musical there called "The Phantom of
the Opera" Little did Hensley know, as he performed that song
"Music of the Night" for a student project (improvising some
of his own lyrics along the way!) that a decade later he'd be playing
the Phantom for real, in Hamburg, Germany. And just as unforeseeable
was the fact that Hensley's Phantom would catch the eye of
London-based Trevor Nunn, arguably the most powerful theater director
on the planet ("Cats", "Les Miserables"), who then
cast the Marietta native in his Royal National Theatre production of
"Oklahoma!" As Jud, the sinister but wounded hired hand,
Hensley has received what he calls "startling" personal
notices in the production's rave reviews. "Trevor had us read the
show's source play "Green Grow the Lilacs" first, then we
rehearsed the musical without singing, as if it were a play",
says Shuler, 30, from the London apartment he shares with his
British-born, yoga instructor wife. "That may be the key to the
truthfulness of this production." "Also," Hensley
continued, "the production restores Jud's song 'Lonely Room'
that's rarely included in productions of the show." (Actor's
Express likewise got terrific dramatic results by restoring the song
in its 1997 mounting.) "It's a lost Rodgers and Hammerstein gem
of a song, and Jud is truly one of the lost roles. The song is the
audience's only chance to see the human side of this man longing to be
loved." The production appears to be a shoo-in for a transfer to
New York, possibly by way of Los Angeles, and Shuler is eager to
perform back on home soil.

17
February, 1999 : Shuler Hensley, the 31-year-old Marietta
native who made one of the most acclaimed London debuts in memory last
year in "Oklahoma!", has won an Olivier Award - top honor of
the London stage - as Best Supporting Actor in a Musical for his role
as the villainous Jud Fry. Frank Boggs, Hensley's music teacher and
choral conductor at the Westminster Schools, says his former student
combines a "wonderful voice" with "grace as a
dancer". Boggs recalls Hensley's days at Westminster : "Here
was this big hunk of a football and baseball player, and he was almost
the only guy in the chorus who didn't have two left feet! It was his
mother's training."

28
February, 1999 : Smile! : When Marietta native Shuler
Hensley heard his name announced as the winner of an Olivier Award for
Best Supporting Actor in a Musical (Oklahoma!) at recent ceremonies in
London, he was somewhat distracted. "I was sitting behind Kevin
Spacey (who won for Best Actor in a Play for "The Iceman
Cometh")," Hensley says by phone from his London home,
"and I figured the cameras would be pointed at him a lot, so I
made sure that I was always smiling for the other nominees and not
looking goofy! When I heard my name called, I must have looked a bit
shocked!" Hensley, 31, reports that one of his biggest thrills
was being congratulated by fellow Yank Spacey. Ironically, Actors
Equity cleared Spacey to re-create his "Iceman" role on
Broadway, beginning March 29, but the union blocked a similar transfer
of the mostly British "Oklahoma!" because of its policy of
demanding that foreign productions offer roles to Americans. Hensley
hasn't given up hope that the problem will be resolved before his
London run ends June 26. In the meantime he's enjoying his award, a
bronze bust of Laurence Olivier as Hamlet. "Much nicer, I'm told,
than the salad bowl type thing they used to hand out!"
18
July, 1999 : The Royal National Theatre, over Waterloo
Bridge from the Strand, lacks charm (a concrete fortress, 1970s-style)
but its productions are often London's best.
Shuler Hensley of the recent "Oklahoma!" says RNT's cafes
and river-view verandas are tops for people-watching: "Look! Ian
McKellen!," cries the Marietta-bred thespian, re-enacting a
recent sighting. "I am not worthy!"

29
March, 2000 : From an article about Stephanie
Michels, a
Marietta girl appearing in "Contact" (her first New York
show) and who trained as a ballerina at the Georgia Ballet :
"Iris Hensley of Georgia Ballet was a great teacher",
Stephanie recalls, "much to my body's pain!" The teacher's
son, Shuler Hensley, danced with a preteen Stephanie at Georgia Ballet
and is heartily amused to hear from his New York friends that she has
bloomed into a sex goddess. "The most provocative thing I saw
Steph do," Shuler recalls, "was slide down a banister in
'The Nutcracker'!"
Atlanta
Journal-Constitution
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